This Cheese Is Not For Eating

Alas, I have once again failed to make it to one of Great Britains’ most moving and important traditions: the Gloucestershire Cheese Rolling. Fortunately, the brave cheese runners carried on without me, even if it meant bruises, abrasions, and broken bones. Some see the perpetuation of cheese rolling as a continuity with ancient pagan practices; I see it as evidence that lawsuit culture has not yet taken hold here with the same fervor it has in the US.

Widget Wanted

I think the new Dashboard in Max OS X Tiger is pretty cool. But there’s one Widget that’s missing, as far as I’m concerned:
I want a Widget that will track Amazon.com sales rankings of specific books, in the same way that the Stocks widgets tracks stock prices.

On Trans-Atlantic Differences in the Walking of Dogs

I’ve lived in London long enough that most of the archetypal US/UK differences no longer catch my eye; I look to the right when crossing the street, and it now seems more natural to say “flat” than “apartment.” But there’s one thing that still strikes me several times a week: the English walk their dogs differently than we do.
In the US, you generally keep your dog on a lead–er, I mean, a “leash.” And if you let your dog run free, you generally let him run in front of you so you can keep an eye on him.
Here, though, leashes are the exception, rather than the rule. And the proper way of walking your dog seems to be to stroll forward while he gambols behind you–sometimes as much as a quarter of a mile behind you. The result is that one frequently sees dogs trotting through the street, seemingly unattached to any human being, but there’s no way of telling if they’re lost or just a block or two behind their human.
Are English dog owners too careless, or American ones over-protective? I have no idea.

Authorship

Since The Government Manual for New Superheroes was my co-author Matthew’s idea in the first place, we agreed his name would go first on the cover (as well as on the title page and everywhere else in the book).
Over at Amazon, though, I’m listed first. I tried to persuade Matthew that this is because Amazon lists its authors in order of how staggeringly handsome they are, but he insists it has something to do with the fact that “J” comes before “M,” alphabetically speaking.
But Barnes & Noble and Buy.com list only Matthew as the author, and not me. Don’t they know how staggeringly handsome I am? What’s the matter with them?
Fortunately, Powell’s books has the right idea.

The How of the Three-Act Structure

Before I talk about screenwriting, I want to talk about fractals for a moment.
Fractals are objects where the overall shape resembles the shape of the component parts. (Yes, yes, I know that’s a vast oversimplification of the proper mathematical definition, but I don’t think I need to get into a discussion of the Hausdorff-Besicovitch dimension to make my point about the three-act structure.)

The What of the Three-Act Structure

Alex Epstein has posted some interesting thoughts on the three-act structure. This is something I’ve thought about a fair amount, so I thought I’d weigh in.
First, for those of you who aren’t screenwriters, this post is going to be a brief overview of the three act structure. I’m going to take my examples from the original Star Wars (or “Star Wars: Episode IV: A New Hope,” for my fellow geeks). If you are one of the nine sentient beings on the planet who has yet to see the film, spoilers follow. There is also a spoiler for Raiders of the Lost Ark.